Since the hands are aligned on different axes, their configuration constantly changes.Įven the caseback succumbs to the black theme and is fitted with a black-tinted crystal. The largest hole on the top hand is for the hours, the middle-sized hole represents the minutes, and the smallest is for the seconds. The one distinguishing feature identifying the functionality of the three hands is the size of the holes. While the classic Regulator layout is hard to visualise, and the three rounded baton-style hands share the same length and width and are not aligned on the same axis, the dial responds to Mosset’s signature abstract artistic ethos. The black lacquered background of the dial is sprinkled with silver glitter that might remind you of the colour and gritty texture of black asphalt glinting in the sun or the bodywork of one of Mosset’s motorbikes. Minimalism is the operative word here, and the black dial is bereft of markings – no logo, no hour indices, just three black hands. “It reminds me of the scene in Easy Rider when they’ve just bought their bikes and are about to leave, Peter Fonda takes off his watch and throws it away.”īlack from head to toe, the Regulator comes in a 42mm diameter x 12.25mm thick black PVD-coated steel case with a matte sandblasted finish. “What amuses me about watches is their accessory aspect – a watch is useless today”, he says. We’ve seen everything from Alain Silberstein’s colourful geometric shapes and Konstantin Chaykin’s time-devouring cyclops monster to the stunning kinetic model produced by atelier oï or the Escher-like dial of the exquisite hand- guilloché edition.Īs a passionate biker, Mosset describes a scene from Easy Rider that sums up his view of watches as accessories. Since Emch’s arrival, collaborations, especially with the Regulator model, have become Louis Erard’s calling card, a canvas beckoning artists, watchmakers, artisans and design studios to leave their imprint, allowing people to buy original watches without breaking the bank. (Images above by MAMCO Geneve – Collaborations After all, Mosset grew up in the watchmaking canton of Neuchâtel, and his grandfather was associated with the history of Ébauches SA. When Emch reached out to Olivier Mosset, the artist, who had never made an object in his career, let himself be drawn in. As many of our readers know, Manuel Emch, director of Louis Erard, is also an avid collector of contemporary art.
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